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WINNERS UPDATE
In 2002 Jo Parkes was awarded a New Choreography Award for a project in Ethiopia.
In 2003 Lynsey Winship was the joint winner of the Chris De Marigny Writers’ Award. She has since written several articles on dance and contributed to the recently released Rough Guide to Choreography.
To view a selection of her work, follow the links.
enjoyment.independent.co.uk/theatre/features/story.jsp?story=508601
Does dance need celebrity?
www.ballet-dance.com/200405/articles/oguike20040421.html
Henri Oguike Dance Company - 'Front Line,' 'White Space,' 'FPS,' 'Finale'
www.criticaldance.com/magazine/200402/articles/wimvandekeybus20040208.html
Wim Vandekeybus & Ultima Vez
Other joint winner of the Chris De Marigny Writers’ Award, Catherine Hale used her award principally to fund a course in freelance journalism and her writing has since included 12x1=? in Dance Theatre Journal, plus reviews of various performances:
www.londondance.com/content.asp?CategoryID=1480
Angela Woodhouse and Caroline Broadhead, Court
www.londondance.com/content.asp?CategoryID=1384
Klaus Obermaier & Chris Haring, Vivisector
A winner of a New Choreography Award in 2003, Niklas used the award to work on various research projects including the new solo “Faceless” which premiered in a triple bill with his other works “Feeder” and “Await Turn” at The Place in July this year.
Also a winner of a New Choreography Award in 2003, Rosalind Kay used the award towards the research and production of new project “Asylum” which premiered at The Birmingham Hippodrome in May this year in a double bill with Maresa Von Stockert, also a winner of a New Choreography Award in 2001.
Winner of the New Choreography Award in 2004, Maho Ihara, together with partner Steve Blake created and performed Mimizu under their company name 10 000 Steps. The show has played at The Place, Greenwich Dance Agency, Laban, and the Clore Studio at the Royal Opera House to great reception.
Winner of the North American New Choreography Award in 2003, Victor Quijada created the piece “Three Trees Hugging” for Transitions Dance Company, who toured in 2004.
“American Victor Quijada's "Three Trees Hugging" explores the emotional context of meetings and partings. From physical isolation to the inherent power struggle in relationships, the piece sheds light onto human interaction. Torn between yielding towards and the defiance of contact, three dancers allow elements of body popping to seamlessly interlink with contact improvisation.”
Julia Skene-Wenzel Ballet-Dance Magazine |
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